The black case, band, and dial of the Rip Curl Men’s Trestles Oceansearch Midnight Tide Watch offer an edgy modern style. The comfortable black polyurethane band complements the black plastic case and bezel, giving it a dark smooth look. A black digital dial features a light for easy reading along with the day, date, month, year, and moon phase. An idealisti watch for surfers, this timepiece features Rip Curl’s patented Automatic Tide System (ATS), which allows it to be programmed to intermediate the tide for thousands of beaches worldwide. It likewise includes preprogrammed tide charts for 200 preset locations. Other features include, a dual time display, countdown timer, stopwatch, and alarm. This timepiece offers authenti quartz motion and is water immune to a depth of 330 feet (100 meters).
The Rip Curl Story
The year: 1969. A man called Armstrong is with regards to to walk on the moon.

(In fact, the day he does so, Bells Beach is ten foot and near perfect. Two Torquay locals, Charlie Bartlett and Brian Singer, surf their brains out before going home to watch the other momentous event on black and white TV.)
In Australia, surfing is at a curious stage of it is development. The “short board revolution” of 1967 has developed a frenzy of experimentation in surfboard design and surfing technique.
In the cool climate of Victoria, sanity prevails in design and technique, if not in the temperaments of the surfers. The cold, always a great leveller, has produced a hardy breed of surfer who has no time for the hoopla and hype of the glitter beach capitals of the world. And by 1969 these like-minded souls have begun to gravitate towards the evenly no-frills seaside town of Torquay, just a couple of kilometers away from Bells Beach, home of galore of the most challenging waves in Australia.
And it is into this environs that Doug “Claw” Warbrick and Brian “Sing Ding” Singer determine to pitch their fledgling surf company, Rip Curl. And yes, it will be called Rip Curl.
Rip Curl Surfboards did well in a highly competitory market which had opened up in response to the revolution in design. Pioneers like Gordon Woods and Barry Bennett in Sydney and George Rice in Victoria had been joined by hundreds of wide-eyed hopefuls operating, like Rip Curl, out of garages and tool sheds.
In a good deal of cases ebullience and innovation eclipsed technical skillfulness and quality, but Rip Curl concentrated on constructing a little number of functional surfcraft for local waves.
In 1970, however, Warbrick and Singer made the decision which changes everlastingly the nature of their fledgling company. Looking at the necessary needs of their fellow surfers in cold-water Victoria, they see that one – a board to ride – is being serviced by too a great deal of companies, while the other – a wetsuit to keep out the cold – is being serviced by only two, one of whom makes wetsuits for divers and has only a marginal mercantile interest in surfing.
Rip Curl took over an old house in Torquay and the collaborators made a little investment in a pre-World War II sewing machine. They put together a crew of locals and went into production, cutting out the rubber on the floor and handing the pieces to an over-worked and underpaid machinist.
By today’s standards, the prototype Rip Curl wetsuits were primitive, but they differed from others on the market in that they evolved through fundamental interaction with surfers.

The persons who ran the company were – and still are – the test pilots. There may be no more direct line of communication…